The story of the Tensei project began early in my childhood, back in the days when Call of Duty: World at War released in 2008. Those that played World at War likely had fond memories of the Nambu Type 100, as it was widely regarded as one of the best submachine guns in the game. That was my first "experience" with the Nambu, and eventually I encountered it in other video games such as Bad Company 2, and Red Orchestra 2 - Rising Storm, and it was also present in many of the newer WW2 era Call of Duty titles. Like most firearm enthusiasts of my generation, our interest started with playing video games, and developing a fascination with interesting firearms as we grew up.
As I grew older, I developed a strong interest in collecting and restoring vintage firearms as well as the learning the art of manual machining. In 2015, when I was around 20 years old, I began apprenticing at a machine shop where I grew up in El Segundo, California. The owner and I became fast friends, having a shared interest in classic cars, firearms, and manufacturing. My interest in restorations on old guns eventually led to me becoming interested in gunsmithing and firearms design, and I began designing and making replacement parts such as barrels and firing pins for vintage and antique guns that have long since been obsolete. At the time, I also developed an interest in converting fully automatic "parts kits" to semi automatic carbines. Such parts kits included guns like the British Sten, the Finnish Suomi M/31, and the Polish PPS-43.
In 2017, with the Nambu still in mind, and the Fort DeRussy museum on my list of to-do's, we traveled to Honolulu for a summer family vacation. Within the museum was one of the few rare examples of a late war Nambu Type 100/44. I was lucky enough to be granted access into the museum's archives, where I collected a wealth of reference material that became invaluable later in the reverse engineering process.
Between 2017 and early 2024, not much happened with the Tensei project with the exception of a few notable instances where owners of miscellaneous Nambu parts made contact with me, and we exchanged measurements for the parts we had. By now I was confident I had most of the dimensions accurate on a 2D scale, but I still did not have much to reference to on a 3D scale with the exception of the photographs I took in Hawaii.
In February of 2024, a friend that worked at an auction company in California reached out and informed me that they had come across what they believed to be the barreled action of a Nambu submachine gun. I gathered my measuring tools and immediately took off, and spent the next several hours taking every measurement I could think of, not knowing if I could come close to a cash offer that they would consider. After some deliberating, we came up with a number that both of us were happy with, and I walked away with something I never thought I would lay hands on - a demilled barreled action of a early serial number, late war Nambu Type 100/44. I spent the next week modeling the entire barreled action in a CAD environment, and capturing the original via 3D scan to preserve for future modeling. I received another message not long after that the matching stock for the Nambu barreled action had been found. At this point, I had everything I needed to begin drawing the scale model to cross reference with my 2D drawings. Unfortunately, the matching internal components were never located, but we're still searching for a spare set that may still be floating around in private collections.
Thus, the real work began. The thought from the beginning was always, "It really would be cool to be able to own a Nambu SMG someday", and that's exactly what we did. It may not be a 1:1 scale copy of the original, but it's about as close as you can get without introducing too many expensive, proprietary components. Starting with the rough overall shape of the original Nambu, over the course of 9 months or so, I designed a semiautomatic Pistol Caliber Carbine (PCC) that shares near-perfect similarity with the original Nambu, and it accepts commonly available surplus PPS-43 magazines, an AR-15 firing pin, and an AR-15 ejector to keep things simple and easy to replace. Since historically accurate metric diameter materials were unavailable, the next closest inch standard material was chosen to replace it. All in all, we got it as close as we could while still being able to locate the materials to produce it.
I drew a lot of inspiration for this design from the British Sten and Polish PPS-43 submachine guns in both form and function. I borrowed the extractor and fire control group design from the Sten, and the bolt from the PPS-43. As the design progressed, we eliminated many of the proprietary parts we had designed in favor of commonly sourced components, such as the AR-15 firing pins and ejectors. Aside from it now being simpler to source those parts, going with non-proprietary wear components guarantees that the firearm can continue to be repaired for as long as they remain in circulation if and / when our company ever meets its untimely end or stops producing replacement parts.
Initially, the Tensei was a closed-bolt striker fired (linear hammer) design. The entire CAD model, including all subassembly components and other models, was done on my own over the course of a year in both 2D and 3D CAD software.
Halfway through the design process, we uprooted our lives in California and set sail for Rosenberg, Texas, with our sights set on greener pastures, and new beginnings.
SHOT Show 2025
SHOT Show 2025 was the first time the Tensei was seen publicly, outside of my website and various social media posts. The interest the design got was flattering, to say the least.
When we arrived at SHOT Show, we hoped that the Nambu would get some attention, but we didn't expect the outpouring of positive feedback and support we got from across the industry. We drew the attention of some of the most influential people present at the show, including Mark Serbu of Serbu Firearms, James Reeves of TFBTV, and "Gun Jesus" himself - Ian McCollum of the Forgotten Weapons channel.
A lot of people came up and asked us "Why" when it came to the Tensei project. Why are we doing this? Why are we spending so much on a gamble that could very well backfire against us? The answer is simply "Because I can, and because I want to". The Nambu has been, and always will be a passion project. I could sell a grand total of zero firearms, and still be happy with how the project turned out. And after hearing the story on why I'm dedicating so much time and effort into this little dream of mine, most of the folks that came by to ask "Why", left asking us "When?"
Initial Test Firing - October 2025
The initial test firing of the Tensei happened in October 2025, one month prior to accepting preorders. It was here that I started making the first significant changes to the design after testing revealed multiple problems with the linear hammer mechanism.
While we were able to get a few succesful shots off, the linear hammer design had a range of issues including light primer strikes and the occasional slam fire. Some of these issues were determined to have been caused by the AR-15 firing pin we used that turned out to be far outside of standard spec, however some were caused or otherwise amplified by the linear hammer in several ways.
Luckily, by this point, I had already anticipated that there would be problems with the linear hammer, so instead I opted to change the design of the fire control group over to a true hammer fired design, using a linkage bar similar to several bullpup firearms.
Launch Day - November 7th, 2025
The launch day of the Tensei was what it all came down to. By this point, the project had already gained significant traction across multiple social media circles, and had been given a warp reception at SHOT Show 2025. Two months prior to SHOT Show 2026, we officially launched the Tensei as a production firearm.
SHOT Show 2026 in Las Vegas was the Tensei's big moment to shine. At this point, the project had been through countless revisions and redesigns, and what we brought to SHOT was representative of what the final version of the firearm would ultimately look like. Several subsystems had been entirely re-engineered for simplicity & ease of manufacturing, as well as cost savings without interfering with quality.
Our booth traffic this year was astounding. While we had significant traffic in 2025, our booth for the 2026 year was slammed the entire time. I couldn't get away from the booth for more than a few minutes at a time - it was hard to keep up! While many of our visitors came by to talk about the Tensei, we also had a number of other talented designers alongside us under the Vanguard Arms collaborative banner.
The feedback I received for the Tensei was incredible as well. Many of the questions I received were technical ones regarding the design, many of which were folks wondering how easy a niche firearm such as mine would be to maintain. I took the time to explain that this firearm was designed with the "common man" in mind - you don't need to be a gunsmith to maintain the Tensei, but as long as you have basic armorer's knowledge on the AR-15 platform, you can maintain your Tensei without needing the services of a specialist.
Amongst others, we were visited by none other than Karl Brügger of B&T AG. I had the opportunity to talk to him about his KH-9 carbine ("Karl's Hobby") and how it was among several inspirations for my Tensei and its development. At the end of our conversation, he was among many that commended the creativity behind the design, and told me to keep at it.
In Production
Starting in November, continuing throughout the SHOT Show season, and continuing throughout 2026, the Tensei entered full production, under Calleja Ex Machina LLC
The new fire control group, installed in the reproduction stock. I was aiming for an "as close to original" look and feel of the original Type 100, and I'd like to think I got pretty close!
Several of the turned parts produced in-house for the Tensei, including the trunnion for the two piece barrel design, and the rear end cap / receiver plug. These parts were turned from DOM steel tubing on our Tormach 15L CNC lathe.
I dedicated Serial Number 1 to all of the friends and family that believed in me, and helped inspire me to turn this dream into a reality
The Nambu Type 100 featured several unique engravings, including "一〇〇式" along the top of the receiver. We reproduced those original markings on every Tensei.
Stocks were produced in-house, largely by hand using both manual and CNC equipment. The final finish is a traditional shellac, which would have been correct for other non-Japanese firearms of the 1940's era.
Stockmaking
One of the biggest challenges we had to overcome during the production was stockmaking. For the initial batch, I opted to do the stocks in-house to keep a closer eye on quality control, and timelines. In hindsight, I should have left this one to the professionals. While they turned out wonderfully, it took way too long for me to process each one.
The outer profiling was done using a series of oldschool methods I learned from various sources. The initial blanks were cut out using a template on our vintage bandsaw, then the templates were affixed to the router for template profiling. Following profiling, the blanks were then radiused on the outer edges, and given their finger grooves using a special jig I designed.
Following the manual profiling, the blanks were then transferred over to my CNC milling machine for a three stage inletting process.